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影片讲述一名独身的中年富豪开始时追求天真纯洁的女秘书，后来却反过来被女秘书所追求的故事。是一部节奏明快，趣味性十足的爱情喜剧，几位明星演来驾轻就熟，甚为讨人喜欢。
长篇影评
1 ) [Last Film I Watched] That Touch of Mink (1962)
Title: That Touch of Mink
Year: 1962
Country: USA
Language: English
Genre: Comedy, Romance
Director: Delbert Mann
Writers:
Stanley Shapiro
Nate Monaster
Music: George Duning
Cinematography: Russell Metty
Cast:
Doris Day
Cary Grant
Gig Young
Audrey Meadows
John Astin
Alan Hewitt
John Fiedler
Dick Sargent
Barbara Collentine
Rating: 6.6/10
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A screwball-inflected US chick-flick pits a blonde bombshell Doris Day against a dapper Cary Grant, under the helm of the Oscar-winner director Delbert Mann. Day plays an NYC career woman Cathy Timberlake, embarks on a seesaw with a wealthy middle-aged man-about-town Philip Shayne (Grant), in their romantic entanglement which the man (naturally) wants to keep it casual but the woman (also naturally and morally correctly) doesn't want to relinquish her virginity before marriage.
The meet-cute premise is blank beggar belief (the chauffeur of his Rolls Royce must be a sterling matchmaker), but magnificently, the film deploys pleasurable set pieces (whether it is a rash or under the influence of liquor) to sabotage Philip's advances and countervails the frivolousness with Cathy's oscillation, she is endowed with the dream of every wide-eyed bachelorette, courted by a minted knight in shining armor, only in her case, not for marriage but dalliance, and that is her conundrum.
So, it goes without saying that the cut-the-Gordian-knot solution is to tie the knot, but for an incorrigible bachelor like Philip, Cathy, the destined ultimate victor, needs an operative ploy to jolt him into the action, which is, she pretends to go with another suitor (the unassuming John Astin) to a motel, to make Philip jealous, to make him fight for her, a golden rule to all the girls in the same fix: you must prove yourself to be desirable first and foremost, other virtues can wait afterwards.
The dialogue is snappy and chirpily facetious as expected, Audrey Meadows is one sterling one-liner thrower as Cathy's roommate-and-best-friend Connie and Gig Young emerges as a repartee-prone right-handed man of Philip, blithely wallows in the gay innuendo, a light-hearted running gag. The two leads, both are too long-in-the-tooth for their characters nevertheless, are a charming match, Day, oozes with pizzazz in her jauntiness and comic rhythm, whereas a genial Grant takes an essentially patronizing role with his de rigueur panache, a job only a bankable matinee idol can excel at.
In the main, THAT TOUCH OF MINK is a good-natured, tongue-in-the-cheek rom-com, completely at ease with its fine amalgamation of cartoony decorousness and appealing retro-flair, no frippery, no particular insight neither.
referential points: Delbert Mann's MARTY (1955, 7.4/10), SEPARATE TABLES (1958, 7.6/10); Charles Walters' PLEASE DON'T EAT THE DAISIES (1960, 5.2/10).
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Year: 1962
Country: USA
Language: English
Genre: Comedy, Romance
Director: Delbert Mann
Writers:
Stanley Shapiro
Nate Monaster
Music: George Duning
Cinematography: Russell Metty
Cast:
Doris Day
Cary Grant
Gig Young
Audrey Meadows
John Astin
Alan Hewitt
John Fiedler
Dick Sargent
Barbara Collentine
Rating: 6.6/10
A screwball-inflected US chick-flick pits a blonde bombshell Doris Day against a dapper Cary Grant, under the helm of the Oscar-winner director Delbert Mann. Day plays an NYC career woman Cathy Timberlake, embarks on a seesaw with a wealthy middle-aged man-about-town Philip Shayne (Grant), in their romantic entanglement which the man (naturally) wants to keep it casual but the woman (also naturally and morally correctly) doesn't want to relinquish her virginity before marriage.
The meet-cute premise is blank beggar belief (the chauffeur of his Rolls Royce must be a sterling matchmaker), but magnificently, the film deploys pleasurable set pieces (whether it is a rash or under the influence of liquor) to sabotage Philip's advances and countervails the frivolousness with Cathy's oscillation, she is endowed with the dream of every wide-eyed bachelorette, courted by a minted knight in shining armor, only in her case, not for marriage but dalliance, and that is her conundrum.
So, it goes without saying that the cut-the-Gordian-knot solution is to tie the knot, but for an incorrigible bachelor like Philip, Cathy, the destined ultimate victor, needs an operative ploy to jolt him into the action, which is, she pretends to go with another suitor (the unassuming John Astin) to a motel, to make Philip jealous, to make him fight for her, a golden rule to all the girls in the same fix: you must prove yourself to be desirable first and foremost, other virtues can wait afterwards.
The dialogue is snappy and chirpily facetious as expected, Audrey Meadows is one sterling one-liner thrower as Cathy's roommate-and-best-friend Connie and Gig Young emerges as a repartee-prone right-handed man of Philip, blithely wallows in the gay innuendo, a light-hearted running gag. The two leads, both are too long-in-the-tooth for their characters nevertheless, are a charming match, Day, oozes with pizzazz in her jauntiness and comic rhythm, whereas a genial Grant takes an essentially patronizing role with his de rigueur panache, a job only a bankable matinee idol can excel at.
In the main, THAT TOUCH OF MINK is a good-natured, tongue-in-the-cheek rom-com, completely at ease with its fine amalgamation of cartoony decorousness and appealing retro-flair, no frippery, no particular insight neither.
referential points: Delbert Mann's MARTY (1955, 7.4/10), SEPARATE TABLES (1958, 7.6/10); Charles Walters' PLEASE DON'T EAT THE DAISIES (1960, 5.2/10).
所以说导演换掉赫德森是错的格兰特这个角色演的德太面瘫完全不请愿的各种走场又有点年纪大，人俩人多配的CP非拆。剧情真是玛丽苏到天际平凡女遇见总裁简直多亏下过雨，整体非常糟糕无感。女配到成了亮点。
garygrant好可爱 爱情喜剧闹剧曾经那么成熟过？女主傻傻笨笨 男主优质吐槽向 暗黑 还有后人玩无数次的 心理师 毒舌女伴 海外度假 萌萌哒
浪漫轻喜剧，我的菜。
2.5 六十年代理想女性，要像小狗服主一样崇拜男的，年轻貌美又有点小聪明
“当一个女孩到了我的年纪并且没有结婚，她不是个哲学家就应该被逮捕”如同以往众多的神经喜剧一样，这部影片的台词有不少也是写的妙语连珠，女配角的演绎很出彩。PS为什么好女孩都想套住老花花公子？！难道是为了迎合观者的心理需求。。。
How about late movie? I have an uncle who’s a socialist!太好玩啦
依然是麻雀变凤凰的故事，只是重点一直在两人为什么没有搞在一起上
watched it when writing essay, for Cary Grant. But I don't believe the plot.
上世纪欧美经典荧幕搭配:四五十岁老白男和二三十岁的白女，即使这样这片里男女主一见钟情还是离谱。。还有一贯把资本家吹嘘成关爱老百姓的大慈善家也是传统了
六十年代初，教育女孩抓住钻石王老五，get married then fight，婚前什么都不要发生。
霸道总裁与傻白甜原来这么早就有了她好单纯好不做作，娶了她，别让她去祸害别人了
老電影有它的魅力，也有一些文明進步過程中應該被拋棄的垃圾。比如男權夫權主義。
luv me like u do, lululuv me like u do
xzd 可怜的加里·格兰特是无法弄出故事来的.
人在性与金钱面前无一例外既想当婊子又想立牌坊，谁也别嫌弃谁。感觉Day在这时期的rom-com里总演比她实际年龄小太多的角色。男二的片尾笑话和Pillow Talk异曲同工。
[奥斯卡][彩色]射手中字，上传：@KEVIN
傻白甜俘获高富帅，作为多丽丝·戴的影迷和歌迷，叹一句她和加里·格兰特的恋爱不在同一频率。
你追我我追你的爱情故事，就是演员年纪不是大了一点点。
这部比较一般 女主角不亮眼也不聪敏 全靠上了年纪的Cary Grant一个人
I have an uncle who is a socialist 哈。DD总给我一种美但太显老的感觉，但她穿黑色礼服真系太美了 - 两人一个快六十，一个四十。床的隐喻非常有趣，真实，仍适用于现代。但是霸总+stray kitten，ugh，no thx。那是信用卡刚开始普及的年代哦。以及这剧本也配提名最佳原创剧本？是和阿拉伯劳伦斯/知更鸟/意大利离婚/兰闺惊变同年哦。